Dina Merrill’s legacy may be summed up in a single phrase: five billion dollars. This incredible fortune was the product of a long and diversely successful career as an actress, businesswoman, and philanthropist.
Beauty rankings turn performers into appearances and pretend that a cultural preference can be measured objectively. Acting offers a richer basis for comparison: the ability to create a character, carry a story, work across languages or genres, and open doors for other artists. The five performers here are not a definitive global top five. They are examples of actresses whose Academy-recognized work marked a meaningful moment in film history.
Sophia Loren won the Academy Award for Best Actress for Two Women, a drama directed by Vittorio De Sica. Her performance as a mother trying to protect her daughter in wartime Italy was delivered in Italian. The win helped demonstrate that a leading performance did not need to be in English to command the American film industry’s highest acting honor. Loren’s career also moved between Italian productions and Hollywood, making her an enduring example of international stardom grounded in performance rather than a single market.
Penélope Cruz has worked extensively in Spanish-language cinema and in English-language productions. She won Best Supporting Actress for Vicky Cristina Barcelona and was nominated for her Spanish-language performance in Pedro Almodóvar’s Volver. Her range is visible in the contrast between volatile comedy, melodrama, and intimate family stories. Cruz’s career shows how an actor can maintain a creative identity across national industries instead of treating international work merely as a route to Hollywood.
Lupita Nyong’o received the supporting-actress Oscar for her performance as Patsey in 12 Years a Slave. The role required her to portray a person subjected to sexual violence and enslavement without reducing the character to suffering alone. Nyong’o’s controlled physical and emotional choices made Patsey’s intelligence, fear, endurance, and individuality central to the film. She later moved into very different work, including horror, franchise filmmaking, voice performance, and stage acting.
Youn Yuh-jung won Best Supporting Actress for Minari after a career in South Korean film and television extending over five decades. As Soon-ja, a grandmother joining a Korean American family in rural Arkansas, she resisted the sentimental stereotype of the endlessly gentle elder. The performance is funny, blunt, affectionate, and unpredictable. Her award also reminded international audiences that apparent “breakthroughs” in one market may rest on decades of accomplished work elsewhere.
Michelle Yeoh became the first Asian-identifying winner of the Academy Award for Best Actress for Everything Everywhere All at Once. The performance draws on the full arc of her career: physical discipline from action cinema, comic timing, emotional restraint, and the authority to anchor an elaborate fantasy. Playing multiple versions of Evelyn Wang, Yeoh makes the film’s visual chaos serve a recognizable story about family, regret, and attention.
These careers cannot be ranked by a single trophy, and awards themselves reflect the limits of their institutions. Still, looking at specific work shifts the conversation from appearance to craft. Film is collaborative: directors, editors, cinematographers, costume designers, and scene partners also shape what reaches the screen. A useful international watchlist asks what a performer does with voice, movement, timing, language, and collaboration—and what new possibilities become visible after the performance is seen.
Sources: Academy Awards 1962; Academy Awards 2009; Academy Awards 2014; Academy Awards 2021; Academy Awards 2023.
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Alex Rodriguez, often referred to as "A-Rod," is one of the wealthiest baseball players in the world with an estimated net worth of $350 million.
Considered by many to be one of the best actors of all time, Marlon Brando imposing presence commanded both respect and admiration from his peers, even in the later years of his career. His role as Vito Corleone in Francis Ford Coppola’s The Godfather pretty much shaped the entirety of the Italian mob genre.
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